songs like azealia banks 212

This wasn't Azealia Banks's lucky year, but 'Broke With Expensive Taste' was all the Azealia Banks's next “212” won't sound like “212. Azealia Banks returns to form on ”Chasing Time.” style and '90s house-infused beats she previously mastered on songs like “Luxury. Discover new Music with People Like You Social Playlists, Comment Searching, YouTube Versions of Popular Spotify Playlists and more!
songs like azealia banks 212

Songs like azealia banks 212 -

Loud And Quiet

As she speaks her eyes grow wider and she becomes more and more passionate as she lets loose on the growing canon of artists who, she feels at least, rely on her for half-baked inspiration. “You have no respect for the fact that I’m suffering here. You have no respect for the fact that I’m really, really fighting for what I have. And the main reason I’m anti-pop is not because it’s popular but it’s because the art gets so watered down and diluted by the time it gets out that you… you know that there’s a trickledown theory of economics? I feel like there’s a fucked-up theory of music, you know? These artists just suck shit up,” she says as she mimics the action of hoovering up coke into her nasal cavity. “They suck your blood,” she rasps. “They try to take your image and your essence and everything and the next thing you know, the bitch is painting her eyes so that her

face can be shaped like yours.”

Banks’ detest for imitation extends beyond her own work, as she lays into what she sees as a homogenous, leech-filled industry. “It’s like ‘Yeezus’ and the Death Grips. You have the Death Grips, who are phenomenal, phenomenal – avant garde, that’s the real energy. And then you have ‘Yeezus’, which is good, but it’s a knock-off of the Death Grips. I am anti-pop because I don’t think it’s conducive to cultural progression.” In fact, Banks’ take on the current state of culture is more than gloomy. “I feel like since blue jeans and Coca Cola, we’ve just been kind of going down,” she says. “Like, after jazz, after the 60s. Once disco hit, that’s when I feel like it really started getting bad, bad, bad, bad, bad. Even politicians back in the day, the words they would use and everything. Culture was so more interesting then because the people were more interested. Now everybody’s blocked out by fast food and fucking Twitter. All these vlogs trying to tell you who’s dating who and who has all this money. You’re worried about how much money this person has? They’re never gonna give you any of it, you know?” She seems to have forgotten where the conversation started as she turns her temper on the record industry at large. “It’s just a really dry, stupid way to live. You make all these personal sacrifices for what? To sit at a table with a bunch of other niggas who don’t fucking like you and that you don’t fucking like. That’s how it is, but whatever.”

Amidst all of the background noise, Azealia Banks is trying, she says, to stay on her own path. “I think success for me is just making sure I’m enjoying everything that I’m doing. I feel like there are things that seem really nice to me, but I don’t know if I’m really ready to – not kiss asses or anything like that.” She pauses. “But I dunno, I feel like, especially in today’s industry and its musical accolades, there’s this whole holding your tongue, this shtick that you do, like, ‘Oh my god I love my fans,’ and this fakeness that people run off.”

This preoccupation with authenticity leads us on to another facet of Banks’ life, which has been less than simple; her relationship with the press. The mere mention of music journalism as a practice is enough to set her off (“Journalism is an art form in itself; I don’t need you to report what has happened.”), and when we touch on how the Disclosure argument was portrayed in the press, she is firm in her assertion that she has been labelled wholly incorrectly by a prejudiced press who are keen to exploit her position as a black female to construct a fictionalised figure that relies on lazy stereotypes.

“I know this is really fucked up to keep making it about race but look, I’m telling you,” she says. “The only reason they’re trying to paint me like that is because I’m a black woman. They always try to paint you to be some angry black woman when I know that I’m not. I’m just passionate. I speak at a certain volume because that’s the way I’m genetically made. I’m not angry, I promise you. I’m just speaking my mind. And then there’ll be another white female celebrity and she’ll say what she has to say about something and they’ll report it very matter of fact, but whenever it’s me they’ll try to hype it up like I’m some angry black bitch. It just makes me want to play into it. Y’all want angry black bitch, I’m gonna give you angry black bitch. But it’s got to the point where I can’t defend myself anymore. I don’t have time to explain myself; I have my life to live.” She breathes in and repeats another mantra-like declaration. “I have my life to live.”

And so she does. Putting the spats with the UK’s most-loved dance duo aside, forgetting the (fairly constant) Iggy Azalea-bating and the record company bust-ups, the big topic for the final Loud And Quiet of the year is how Azealia Banks plans to spend her Christmas. For all the controversy around her, the answer, it should be said, is sadly prosaic. “I’m probably going to stay in my apartment. I’ll put up a Christmas tree but it’s really for my nieces and nephews. We’ll just put up a Christmas tree and we’ll probably make something fun to eat and watch movies and open gifts. I’ll probably be in bed by 5pm on Christmas.” The thought doesn’t last long before a mischievous twinkle flashes in her eyes. “Or maybe there’ll be a party to go to!”

Источник: https://www.loudandquiet.com/interview/azealia-banks-war-music-industry-debut-album-effective-weapon/
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Источник: https://www.mtv.com.au/news/ts4ggn/what-happened-to-azealia-banks-cancel-culture-212
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The 10 Best Azealia Banks Songs of All-Time

When Azealia Banks hit the music scene in 2011 with her debut single “212” she quickly became one of the most talked-about names in hip-hop. Although she was just 18 years old at the time, Azealia seemed like she was ready to take on the world. Her debut EP, 1991, was released the following year and things really started to take off for the young artist. Unfortunately, however, Azealia’s career never took off the way she and others hoped. A series of public outbursts and issues with other artists essentially derailed Azealia’s career. While some people have completely written her off, there are others that still have faith that she will rise to her full potential. In the meantime, she has plenty of good songs for us to enjoy. Here are the 10 best Azealia Banks songs of all time.

1. 212

 

When you’re trying to make it in the music industry you need to come out of the gate swinging, and that’s exactly what Azealia Banks did when she released “212”. The uptempo song was fun and catchy and it was the perfect thing to get people up out of their seats. In the song, Azealia found the perfect balance between spitting bars and letting the beat breathe. On top of that, even 10 years after its release “212” still slaps whenever it comes on.

2. Grand Scam

 

“Grand Scam” may not be one of Azealia’s most popular releases, but it’s one of her best. The song is just over a minute and a half long, but Azealia managed to pack a lot into that small window of time. The song is on-brand with her witty and unique style of rapping and she does a great job of building simple yet creative rhyme schemes.

3. Fierce

 

“Fierce” was released on Azealia’s debut mixtape, Fantasea. As the title suggests, the song is absolutely fierce and that’s exactly how you’re going to feel when you listen to it. The beat has the perfect tempo for walking down the most fabulous runway or strutting through the club.

4. Anna Wintour

 

Named after the legendary editor-in-chief of Vogue Magazine, Anna Wintour has all of the elements you’d expect from a song named after a fashion icon. The beat is fun and Azealia’s vocals are sultry and smooth. Instead of her distinct fast-paced rapping, Azealia spends a good portion of the song singing.

5. Liquorice

 

If there’s one thing that’s true about Azealia Banks’ music, it’s that it always seems to age well, and “Liquorice” is a great example. Even though the song is almost 10 years old, it still sounds fresh and futuristic. The song is an anthem for dark-skinned women everywhere as Azealia raps “These bitches know that I be on that black girl shit/That black girl pin-up with that black girl dip/Put that black girl spin up on ya whack girl tip/ Ain’t official till it been up in that black girl kit.” This verse also pays homage to fellow rapper Nicki Minaj by borrowing her flow from “Kill Da DJ”

6. Soda

 

Even though Azealia Banks is a rapper, she has had club music in a choke hold since she made her debut. “Soda” is the kind of song you could expect to hear at a packed night club. The beat is infectious and Azealia’s verses feature her signature fast paced style.

7. The Big Big Beat

 

If there’s anyone who knows how to brag on a beat while still making you want to get up and dance, it’s Azealia Banks. In “The Big Big Beat” Azealia’s energy is confident and fun and she abosloutely bodies a beat that many rappers wouldn’t date even try to rap over.

8. Ice Princess

 

Most of Azealia Banks’ songs feature house/techno beats, but “Ice Princess” has a sound that most would consider to be more traditionally hip-hop. One of the things that’s so great about this song is that it perfectly highlights Azealia’s versatility as an artist. People may be used to hearing her sound one way, but this song proves that she can easily switch it up.

9. Ima Read

 

Some may find “Ima Read” to be a strange addition to the list since technically it’s not really an Azealia Banks song. “Ima Read” is was originally released by an artist named Zebra Katz. Although Azealia’s version is only a little longer than a minute, she came in and did what needed to be done within that 60 seconds.

10. Van Vogue

 

Some artists find it hard to come up with quality lyrics when rapping over beats that could easily steal the show. Azealia Banks never seems to struggle with this though. Every time she hopes on a song, she manages to find the perfect balance and that’s exactly what happens with “Van Vogue”.

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Источник: https://chaospin.com/best-azealia-banks-songs-of-all-time/

Sound of 2012: Azealia Banks

By Mark Savage
Entertainment reporter, BBC News

Foul-mouthed New York rapper (and former stage-school student) Azealia Banks takes third place in the BBC's Sound Of 2012 new music list.

The list, compiled using tips from more than 180 tastemakers - made up of music critics, editors, broadcasters and bloggers - aims to highlight some of the most exciting emerging artists. We are revealing one artist from the top five in reverse order every day until Friday, when the winner will be announced.

"I'm the rap Larry David. Always complaining."

So said Harlem-born 20-year-old Azealia Banks, writing to her fans on Twitter last month.

"It's true," she laughs after being reminded of the message. "I'm always nagging!"

"It's just my personality - I'm a bit of a misanthrope. Especially now, because I'm an artist. These fake people are all up in your face with their antics. And you're just like, 'uhhh.'"

The feeling has been amplified since September when Banks uploaded 212, a foul-mouthed ode to oral sex, to YouTube.

Gwyneth Paltrow and Kelly Rowland have been raving about it, but the song has also brought Banks to the attention of journalists.

It would be fair to say she's not taken too kindly them. Particularly the men.

"[They] hear the music and think it's a green light to ask you all of these questions about your sexuality. The actual details. Weirdoes.

"It's like, get the hell out of my face. You just want to punch someone."

In print, Banks can come across as petulant and aggressive, but in person she's charming.

All sass and chuckles, she chatters away through a gap-toothed, rubber band smile, every paragraph punctuated by the question, "You know what I'm saying?"

Larry David was never this personable.

Banks's music walks a similar tightrope - balancing cheeky humour with a string of profanities, like Tarantino dialogue set to house music.

The rapper actually started out as a drama student at Manhattan's famous LaGuardia High School, which counts Liza Minnelli, Al Pacino and fellow rapper Nicki Minaj among its alumni.

Aged 16, she starred in a production of City Of Angels, playing a dramatic role which required her to die on stage every night. Simultaneously, she was experimenting with rap - releasing a song called Seventeen, under the pseudonym Miss Bank$.

That record, a true-life story of her relationship with an older man, caught the attention of UK record label XL, who promptly signed her to a deal.

Looking back, Banks admits that music was still "kind of a hobby" at the time.

"But a hobby I was very willing to throw myself into, you know?"

The youngster believed that XL president Richard Russell - "he was this really cool guy" - could turn her into a "superstar", much as he had done with MIA and Adele, but things quickly turned sour.

"It was almost the day I signed to XL that they started checking out," she recalls.

"There were a good seven to eight months where I was just sending them texts and no-one would say anything or pick up the phone or respond to my emails. Nothing. And it started to ruin me.

"So I started harassing Richard. Like, 'Dude, I'm going to chop your neck off. Answer my emails!'"

When Russell finally got in touch, Banks says, it was to give a lukewarm response to a track she had just written - and that track was 212.

"So I was like, this is not what I worked so hard my entire life to do - to be rejected by some English guy in West Bumblefrickin' nowhere London, telling me I'm amateur or something like that.

"So I just said, 'Screw you!'"

The rejection suddenly fuelled her musical ambition. She disappeared to Montreal, Canada, and started laying down the demos that will, to some extent, form the basis of her debut album.

"It was a period of enlightenment," she says. "I realised that my life will only be what I make it. If I accept defeat, I deserve defeat."

The new material is being recorded with British producer Paul Epworth - a man better known for his work with Adele than blunt, bratty rappers.

"I'm going to drag another side of Paul out," says Banks.

"I'm really DIY, and he's very polished. But you're definitely going see a darker side of Paul and a more refined side of me. That's what it has to be about."

As a result, the album will have bigger melodies and fuller arrangements than the stripped-back minimalism of Banks's YouTube tracks. But the fruity language won't be toned down.

The rapper says her lyrics mirror the way she speaks to her friends. The swearing isn't meant to cause outrage, and even the sexualised 212 is meant to be inclusive.

"A lot of people aren't comfortable with their sexuality," explains Banks.

"There are women who are curious about other women and haven't had the courage to go there.

"One person said to me, 'When I listen to 212, I feel that someone understands me. I feel like I have a best friend telling me that all these things that I want to do are ok.'"

Banks doesn't just want to break sexual taboos, however. Liquorice, her next single, tackles inter-racial relationships.

"It is a taboo among black women to desire white men, and vice versa," she says.

"But if you read websites or magazines that are geared towards African-American women, we're very curious about white men. And the world is becoming so mixed up now, it's happening a lot more.

"The song is really funny and quirky. I feel like that will be the most exciting moment of my career so far."

Even more exiting than being shortlisted in the BBC's Sound Of poll?

"I don't want to be called the 'next big thing' because that implies there's another big thing after you.

"The media does a really good job of discarding artists - and it has a really big effect what people think about themselves. So I try to keep a lot of that talk out of my head.

"I'd rather be a dope artist that people are just starting to find out about."

And, with that grumble, the rap Larry David says goodbye - breaking into a raucous laugh as she goes.

More on this story

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Источник: https://www.bbc.com/news/entertainment-arts-16225186

At long last, Azealia Banks has weighed on on the discourse, offering her personal choices for the best songs of the decade. Her breakout single "212" justifiably reaches No. 2 spot, just behind Robyn's "Dancing On My Own." Oddly, Robyn may be one of the only artists on the list that Banks has not beefed with over the past decade.

Cardi B's "Bodak Yellow" rounds out the top 3, although Banks called her an "untalented rat" earlier this year. Nicki Minaj gets two mentions with "Bang Bang" and "Moment 4 Life," even though Banks thinks she's evil. Banks lists two Lady Gaga songs, though a dispute with Gaga ended up with Banks being booted from the final ARTPOP tracklist. Also featured are Rihanna (whom Banks insulted on Instagram live last month), and Lana Del Rey (whom she accused of "selective outrage" and "bootleg witchcraft.")

Even Disclosure earn a spot on the list for their Sasha Keable collaboration "Voices." Only Keable's name is mentioned — back in 2014, Banks said she wanted to "punch the ugly one" of them after a collaboration fell through with the brotherly duo.

Grimes is not mentioned in Banks's list.

While we continue to wait for her promised track about executing an "ungrateful technocrat" named Alon Dust, check out Banks's favorite songs of the 2010s below.

Источник: https://www.thefader.com
Azealia Banks". United States: 7digital. Archived from the original on February 8, 2015.
  • ^"Top 40/R Future Releases". All Access. Archived from the original on October 8, 2009.
  • Источник: https://en.wikipedia.org/wiki/212_(song)

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    List of songs recorded by Azealia Banks

    American rapper Azealia Banks has recorded songs for one studio album, one extended play (EP) and two mixtapes, as well as various other releases and guest appearances. Between 2009 and 2011, Banks uploaded several demo tracks on to the internet, including "Barbie Shit", "P-U-S-S-Y" and "Seventeen". These tracks caught the attention of XL Recordings, who subsequently signed a developmental record deal with Banks.[1] In 2011, Banks self-released "212" as the lead single from her debut EP, 1991.[2] "212" was a commercial success, peaking within the Top 40 of the regional charts in Ireland, Scotland, and the United Kingdom, later being certified platinum by the latter.[3] The EP also spawned the single "Liquorice", which failed to mirror the success of its predecessor.[4] In July 2012, Banks released a free nineteen-track mixtape titled Fantasea, which included collaborations with Shystie and Styles P. The mixtape received positive reviews from critics, with The Guardian commenting that it "showcase[s] an artist brimming with ideas".[5]

    Throughout 2013, Banks released various stand-alone tracks, including diss tracks to Angel Haze and Jim Jones, a collaboration with Paul Oakenfold titled "Venus", and a promotional single with Pharrell titled "ATM Jam".[6] In November 2014, after numerous delays, Banks' debut studio album, Broke with Expensive Taste, was released. The album spawned four singles, "Yung Rapunxel",[7] "Heavy Metal and Reflective",[8] "Chasing Time"[9] and "Ice Princess".[10] The singles had limited commercial impact compared to that of "212", with none of them managing to break into any mainstream charts. To promote her album, a music video for the track "Wallace" was released, to widespread acclaim from critics.[11] Banks' overall sound has been described as a mix of hardcore hip hop and indie pop,[12] while her individual releases have been seen as house rap,[13]witch hop,[14] and dance pop[15] records, respectively.

    Songs[edit]

    Banks is featured on "II. Earth: The Oldest Computer (The Last Night)" by Childish Gambino.
    Contents
    ······················ Y
    Song released as a singleIndicates single release
    Indicates unofficial remix
    Non-album single Indicates a song was released as a single, but did not appear on any album
    Online exclusive Indicates a song was uploaded to the internet for free streaming / downloads, and did not appear on any album

    Notes[edit]

    1. ^GypJaQ originally released "Blown Away" under the songs like azealia banks 212 name Akhet.[27]
    2. ^"Competition" is an early demo of her song "Luxury" that Banks leaked online in 2019.
    3. ^"Gimme a Chance" was one of Banks' earliest releases as an artist. It was rewritten for her debut album in 2014.[41]
    4. ^Banks' vocals on "Shady Love" were uncredited.

    References[edit]

    1. ^"BBC Sound of 2012 – Artist Profile – Azealia Banks". BBC. January 4, 2012. Retrieved August 19, 2015.
    2. ^Battan, Carrie (February 13, 2012). "Azealia Banks Announces "212" EP, UK Tour". Pitchfork Media. Retrieved August 19, 2015.
    3. ^"British single certifications – Azealia Banks ft Lazy Jay – 212". British Phonographic Industry. July 22, 2013. Retrieved August 19, 2015.Select singles in the Format field. Type 212 in the "Search BPI Awards" field and then press Enter.
    4. ^"iTunes – Music – Liquorice – Single by Azealia Banks". iTunes Store (GB). Archived from the original on October 25, 2013. Retrieved August 19, 2015.
    5. ^Virtue, Graeme (September 30, 2012). "Azealia Banks – review". The Guardian. Archived from the original on March 20, 2015. Retrieved September 3, 2015.
    6. ^Battan, Carrie (July 2, 2013). "Listen to the Studio Version of Azealia Banks' "ATM JAM", Featuring Pharrell". Pitchfork Media. Retrieved July 27, 2015.
    7. ^Minsker, Evan; Snapes, Laura (March 11, 2013). "Listen: Azealia Banks: 'Yung Rapunxel'". Pitchfork Media. Archived from the original on November 6, 2015. Retrieved July 27, 2015.
    8. ^Minsker, Evan (July 27, 2014). "Azealia Banks Shares New Single 'Heavy Metal and Reflective'". Pitchfork Media. Archived from the original on November 6, 2015. Retrieved July 27, 2015.
    9. ^Minsker, Evan (September 22, 2014). "Azealia Banks Shares New Track 'Chasing Time'". Pitchfork Media. Archived from the original on November 6, 2015. Retrieved July 27, 2015.
    10. ^"ultratop.be – Azealia Banks – Ice Princess". Ultratop. Retrieved July 12, 2015.
    11. ^Brandle, Lars (March 12, 2015). "Watch Azealia Banks' Interactive Video for 'Wallace'". Billboard. Ourbank bozeman mt August 14, 2015.
    12. ^Lymangrover, Jason. "Azealia Banks – Biography". AllMusic. Archived from the original on September 3, 2015. Retrieved September 3, 2015.
    13. ^Jeffries, David. "1991 – Azealia Banks – Songs, Reviews, Credits, Awards". AllMusic. Archived from the original on September 3, 2015. Retrieved September 3, 2015.
    14. ^Carley, Brennan (November 6, 2014). "Review: Azealia Banks Silences Haters on Debut 'Broke With Expensive Taste'". Spin. Retrieved September 3, 2015.
    15. ^Carroll, Jim (November 21, 2014). "Azealia Banks: Broke With Expensive Tastes". The Irish Times. Archived from the original on January 5, 2015. Retrieved September 3, 2015.
    16. ^ abcd1991 (Liner notes). Azealia Banks. United States: Interscope, Polydor. 2012.CS1 maint: others in cite AV media (notes) (link)
    17. ^ abcdefghijklmnopBroke with Expensive Taste (Liner notes). Azealia Banks. United States: Prospect Park. 2014.CS1 maint: others in cite AV media (notes) (link)
    18. ^ abcdefghJulious, Britt songs like azealia banks 212 30, 2016). "Azealia Banks: Slay-Z". Pitchfork. Retrieved March 31, 2016.
    19. ^Horowitz, Steven J. (April 6, 2018). "Azealia Banks Talks House-Inspired 'Anna Wintour' Single, 'Fantasea II' Album & State of Women in Hip-Hop". Billboard. Retrieved April 6, 2018.
    20. ^ abcdefghijklmnopqrLipshutz, Jason (July 12, 2012). "Azealia Banks Unleashes 19-Track 'Fantasea' Mixtape". Billboard. Retrieved June 29, 2015.
    21. ^"ATM Jam – Azealia Banks". AllMusic. Retrieved June 29, 2015.
    22. ^Zeichner, Naomi (June 25, 2012). "Stream: M.I.A. f. Missy Elliott and Azealia Banks, 'Bad Girls (Danja N.A.R.S. Remix)'". The Fader. Retrieved August 19, 2015.
    23. ^Fitzmaurice, Larry (January 27, 2012). "Azealia Banks – 'Bambi'". Pitchfork Media. Archived from the original on April 2, 2015. Retrieved March 29, 2015.
    24. ^ ab"Azealia Banks, '212', Plus Two Unreleased Tracks Produced by Machinedrum, 'P-U-S-S-Y' and 'Barbie Shit'". Self-Titled. October 20, 2011. Archived from the original on July 25, 2015. Retrieved July 28, 2015.
    25. ^Martins, Chris (February 28, 2013). "Azealia Banks Inexplicably Turns the Strokes' 'Barely Legal' Into Club Bait". Spin. Retrieved March 28, 2015.
    26. ^Black Madonna, retrieved December 12, 2020
    27. ^Battan, Carrie (October 1, 2013). "Disclosure Respond to Azealia Banks". Pitchfork Media. Retrieved August 8, 2015.
    28. ^Gordon, Jeremy (March 27, 2015). "Azealia Banks Teams With Songs like azealia banks 212 for "Blown Away" Video". Pitchfork Media. Retrieved August 19, 2015.
    29. ^Dolan, Jon (May 10, 2012). "Lana Del Rey feat. Azealia Banks Azealia Banks". Canada: 7digital. Archived from the original on July 19, 2013. Retrieved February 8, 2015.
    30. ^"212 (2012) songs like azealia banks 212

      New music: Azealia Banks – Liquorice

      Following her excellent, filth-laden 212 single and video in September, New York's Azealia Banks has gone from "bubbling under" to NME's coolest person of 2011. She's since been featured on the BBC Sound of 2012 longlist – and without a record deal (an early signing with XL fell through). Currently working with producer Paul Epworth, Banks posted a brand new song on her Tumblr over the weekend. Built around the track Pineapple Crush by Lone (just as 212 was essentially a shortened version of Lazy Jay's Float My Boat with a song bolted on to it), Liquorice shows Banks to be one of the most inventive rappers since Missy Elliott (who she sounds just like at the beginning). Like Elliott, and Nicki Minaj, she's able to flit between vocal styles: playfully aggressive, featherlight and brilliantly smutty. Banks has included the lyrics on her Tumblr, which not only means what is the atm deposit limit for bank of america can all rap along but there are also definitions for certain words and phrases. FYI, "kizzat" is vagina and "ye" or "yay" is cocaine. So now we know.

      Источник: https://www.theguardian.com/music/2011/dec/19/azealia-banks-liquorice
      songs like azealia banks 212 width="520" height="292" alt="MTV Unplugged: Bastille">

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      Источник: https://www.mtv.com.au/news/ts4ggn/what-happened-to-azealia-banks-cancel-culture-212
      Azealia Banks". United States: 7digital. Archived from the original on February 8, 2015.
    31. ^"Top 40/R Future Releases". All Access. Archived from the original on October 8, 2009.
    Источник: https://en.wikipedia.org/wiki/212_(song)

    The 10 Best Azealia Banks Songs of All-Time

    When Azealia Banks hit the music scene in 2011 with her debut single “212” she quickly became one of the most talked-about names in hip-hop. Although she was just 18 years old at the time, Azealia seemed like she was ready to take on the world. Her debut EP, 1991, was released the following year and things really started to take off for the young artist. Unfortunately, however, Azealia’s career never took off the way she and others hoped. A series of public outbursts and issues with other artists essentially derailed Azealia’s career. While some people have completely written her off, there are others that still have faith that she will rise to her full potential. In the meantime, she has plenty of good songs for us to enjoy. Here are the 10 best Azealia Banks songs of all time.

    1. 212

     

    When you’re trying to make it in the music industry you need to come out of the gate swinging, and that’s exactly what Azealia Banks did when she released “212”. The uptempo song was fun and catchy and it was the perfect thing to get people up out of their songs like azealia banks 212. In the song, Azealia found the perfect balance between spitting bars and letting the beat breathe. On top of that, even 10 years after its release “212” still slaps whenever it comes on.

    2. Grand Scam

     

    “Grand Scam” may not be one of Azealia’s most popular releases, but it’s one of her best. The song is just over a minute and a half long, but Azealia managed to pack a lot into that small window of time. The song is on-brand with her witty and unique style of rapping and she does a great job of building simple yet creative rhyme schemes.

    3. Fierce

     

    “Fierce” was released on Azealia’s debut mixtape, Fantasea. As the title suggests, the song is absolutely fierce and that’s exactly how you’re going to feel when you listen to it. The beat has the perfect tempo for walking down the most fabulous runway or strutting through the club.

    4. Anna Wintour

     

    Named after the legendary editor-in-chief of Vogue Magazine, Anna Wintour has all of the elements you’d expect from a song named after a fashion icon. The beat is fun and Azealia’s vocals are sultry and smooth. Instead of her distinct fast-paced rapping, Azealia spends a good portion of the song singing.

    5. Liquorice

     

    If there’s one thing that’s true about Azealia Banks’ music, it’s that it always seems to age well, and “Liquorice” is a great example. Even though the song is almost 10 years old, it still sounds fresh and futuristic. The song is an anthem for dark-skinned women everywhere as Azealia raps “These bitches know that I be on that black girl shit/That black girl pin-up with that black girl dip/Put that black girl spin up on ya whack girl tip/ Ain’t official till it been up in that black girl kit.” This verse also pays homage to fellow rapper Nicki Minaj by borrowing her flow from “Kill Da DJ”

    6. Soda

     

    Even though Azealia Banks is a rapper, she has had songs like azealia banks 212 music in a choke hold since she made her debut. “Soda” is the kind of song you could expect to hear at a packed night club. The beat is infectious and Azealia’s verses feature her signature fast paced style.

    7. The Big Big Beat

     

    If there’s anyone who knows how to brag on a beat while still making you want to get up and dance, it’s Azealia Banks. In “The Big Big Beat” Azealia’s energy songs like azealia banks 212 confident and fun and she abosloutely bodies a beat that many rappers wouldn’t date even try to rap over.

    8. Ice Princess

     

    Some may find “Ima Read” to be a strange addition to the list since technically it’s not really an Azealia Songs like azealia banks 212 song. “Ima Read” is was originally released by an artist named Zebra Katz. Although Azealia’s version is only a little longer than a minute, she came in and did what needed to be done within that 60 seconds.

    10. Van Vogue

     

    Some artists find it hard to come up with quality lyrics when rapping over beats that could easily steal the show. Azealia Banks never seems to struggle with this though. Every time she hopes on a song, she manages to find the perfect balance and that’s exactly what happens with “Van Vogue”.

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    Источник: https://chaospin.com/best-azealia-banks-songs-of-all-time/
    The Process with Peter Rosenberg

    Источник: https://www.complex.com/music/2013/11/azealia-banks-filthy-mouth-the-process-with-peter-rosenberg